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#Watch taken 1 full movie plus
We already know what Mills is willing to do for his family, so his motivation is identical to the first film, plus we know he's too skilled to stay kidnapped for long. It feels as though every single plot point or detail exists solely to create circumstances in which our main characters can get kidnapped, with ample occurrences both inconvenient and convenient to allow for problems and general suspense while also providing enough room for a solution. The entire setup here is forced - really forced. During their first full day together in Istanbul, Kim gets the idea to let Bryan and Lenore have some alone time in hopes of rekindling their relationship, but when they go into town they are followed by the Albanians, and despite Mills' best efforts, he and Lenore are taken. As it happens, Kim and her mother, Lenore (Famke Janssen), decide to surprise him by flying to meet him there, though to be fair it's not that obnoxious of a coincidence, as Mills had invited them to come after hearing Lenore's current husband had canceled their family trip to China. Simply, the Albanians that Mills killed en route to finding his daughter want revenge, so they track him to one of his private security jobs in Istanbul. In "Taken 2," it's not as complicated and the stakes don't feel nearly as high. Kim (Maggie Grace) couldn't just get taken again, and part of the intrigue was Mills (Neeson) having to find her despite being hours behind her captors with no idea of where they might take her. This shouldn't surprise anyone considering, again, no justification existed in the original story for a sequel. Everything about the story of "Taken" was so concrete, that there didn't seem like any obvious direction for a sequel, but a gross of $226.8 million on a $25-million budget talks, and so we have "Taken 2," but what Besson and Kamen have come up with this time fails to measure up to the original in almost every way. It was a simple concept in that it utilized family bonds as motivation, but it was made exciting through a mixture of intriguing resourcefulness and crafty violence. Writers Luc Besson and Robert Mark Kamen managed to captivate audiences with a streamlined story of a retired CIA operative using his skills to locate and rescue his kidnapped daughter.
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Liam Neeson's action-man renaissance in 2008's "Taken" was a most unheralded critical and box-office hit for a seemingly generic revenge flick.